In this newsletter, I will present my preliminary findings from the ongoing experiment with redscaling Aerochrome and discuss another project that has been taking up the majority of my time this March: film Q.
The latest DigitaLIZA+ and DigitaLIZA Max modular scanning systems enable scanning from phones or cameras for various roll formats, including 35mm, 120, 110, and 127. Scans of medium formats can reach sizes of up to 6×7. #editorial.
Film Q is a newly launched application that converts film negatives on the Analog.Cafe website without requiring any software installation. It links to your Dropbox account and handles file processing in the cloud. #editorial.
VueScan is an application compatible with more than 7,400 scanners, including many that were produced more than two decades ago. After moving away from SilverFast, which I found to be cumbersome, costly, and frustrating, I have been using VueScan for over five years. In this review, I will discuss the interface, features, limitations, my workflow, and the reasons I believe VueScan is essential for any photographer who scans film at home.
A web application that processes film scans in batches (including TIFFs, JPEGs, camera RAW files, and more) by applying histogram equalization. This is a documentation page explaining how to utilize this application.
Last week, Ethan Moses from Cameradactyl shared a video featuring his creation, a novel "film" format that utilizes roll RA-4 paper to produce approximately 100 4x5 exposures in a large daylight canister. These rolls can be employed in Ethan’s oversized TLR-style camera or modified for use as a back on 4x5 cameras. #editorial.
The most delicate task in film development is loading it onto reels. These reels position the film to ensure there is spacing and no contact along the entire strip. This arrangement enables water and chemicals to move freely over the full surface, but it must be performed in complete darkness. #editorial.
Harman has launched a new color film, and film prices are at their lowest in years. Lomography has introduced two new instant film cameras, while both their accounts and Ferrania's have been hacked. Additionally, ONDU Pinhole has ceased the production of pinhole cameras.
This is an opportune moment to purchase film since prices have decreased globally. A recent market report categorizes them by type, currency, and availability. Regarding prices, I have some plans for the priciest roll of color film available. I'll reveal those plans shortly after I present the new Members’ Handbook and provide an update on my progress with Film Q.
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Kodak Vision 3 250D is a color-negative film designed for motion picture cameras. Its image quality matches that of Kodak Portra 400 and other color-accurate, fine-grained, low-contrast emulsions when developed using ECN-2. However, for this review, I am processing it with C-41. Additionally, I will compare my results to those of CineStill 400D, which many have asserted is essentially 250D without the remjet (which is not the case).
Harman, the manufacturer known for its well-regarded black-and-white Ilford emulsions, has recently introduced a redscale variant of their Phoenix 200 film. #editorial.
The Nikon AI-S Nikkor 50mm f/1.8 is a compact manual focus lens designed for Nikon F camera models. In this review, I will discuss my experiences using it with my Nikon FM2n and FE cameras, provide some historical context, and identify the six different variants. Additionally, I will share my opinion on whether the Nikkor is worth the added cost of approximately $75 over the more affordable Series E.
The Facebook page of Film Ferrania has been managed by supposed scammers for nearly two years. The Internet can be harsh, even for renowned brands. #editorial.
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