Regarding Free Trials.
I have introduced free trials for the GOLD subscriber-exclusive apps and articles on Analog.Cafe to assist you in determining if a membership is a worthwhile commitment.
You can experience Chem Log (analog.cafe/app/chem-log), Film Price Trends (analog.cafe/app/film-price…), and Bulk Roll Calculator (analog.cafe/app/bulk-roll-…) for a week with no restrictions and no need for credit card information. Additionally, you can explore all website features and read member-only articles, such as the recent one, “Pushing Ilford HP5+ to ISO 100,000” (analog.cafe/r/pushing-ilfo…), for 14 days with a card. I will send you a reminder one week before your trial expires.
Memberships have contributed to keeping Analog.Cafe free of ads and 97% accessible at no cost for thousands of readers from 201 countries in 2024. Thank you to everyone who has, is currently, or is considering becoming GOLD members in 2025. Your support is invaluable to this resource and its dedicated full-time staff of one!
-Dmitri.
#editorial🔥 #website
Fujifilm 400 Speed Film is a recent product from a Japanese manufacturer produced in the USA. It serves as a substitute for their previously made-in-Japan Fujicolor Superia X-Tra, which at one time incorporated a fourth cyan-sensitive color layer to enhance tonality in mixed lighting—a technology well-known from their iconic Fujicolor Pro 400H emulsion. In this review, I will explore the film's background as well as its technical and visual characteristics. Additionally, I will compare and contrast it with Kodak Ultramax 400.
Last week, I discussed the Analogue aF-1 (https://www.analog.cafe/comments/u725). Additionally, there is a new color film that has the potential to be the most affordable option, possibly taking over from Kodak ColorPlus: (https://www.analog.cafe/app/film-price-trends). This was announced last year (https://kosmofoto.com/2024/05/chinas-lucky-film-may-bring-back-colour-film-production-by-the-end-of-2024). Reflx Lab has also confirmed some positive updates: #editorial.
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Ilford HP5+ is a ninety-year-old black-and-white film renowned for its versatility, sharpness, and consistent reaction to different development techniques. Many photographers enjoy push-processing it and occasionally pull-processing it. However, to the best of my knowledge, no one has ever pull-processed it to this degree; therefore, this could be the first instance of anyone presenting the technique and results using HP5+ as if it were an ISO 3 film.
In this review, I discuss my experience with shooting and processing this film using both the specialized Adotech CMS IV developer and the non-specialized Ilford DD-X. I also cover its technical specifications and present the outcomes of my effort to create a 400-megapixel scan, which is the highest resolution I can achieve with my existing hardware and software.
This article serves as a continuation of yesterday's experiment involving pulling HP5+ to ISO 3. While the previous task was relatively straightforward, I cannot necessarily endorse attempting what I am about to discuss. Nevertheless, this resource includes all the techniques and recipes needed to recreate the experiment, along with recommended development times for HP5+ at EI 12800, 25600, and 51200.
I’ve included free trials for the apps and articles exclusive to GOLD subscribers on Analog.Cafe to assist you in determining if a membership is a worthwhile investment. #editorial.