Missed January's film news and rumors. Last week, I discussed the Analogue aF-1 (analog.cafe/comments/u725). Additionally, there’s a new color film that could potentially become the least expensive option, taking over from Kodak ColorPlus: analog.cafe/app/film-price… This was announced last year (kosmofoto.com/2024/05/chin…). Reflx Lab has confirmed further positive updates: "A contact from Reflx Lab who recently visited Lucky Film’s headquarters in Hebei, China, indicated that the new color film is anticipated to be released in Q2 2025. It’s expected to be the most budget-friendly color film on the market" — reflxlab.com/en-ca/blogs/n… Lucky Film previously produced color film for Kodak, but this forthcoming project will be an independent venture. It seems that Lucky is not the same as Fujifilm's new facility in China: analog.cafe/r/film-photogr… Moreover, there were speculations online about Ferrania potentially shutting down. However, it appears that they are not closing, despite recent communication challenges, a period when their website was offline, and a low film stock availability. Eventually, someone from Ferrania (which is a city; check it out!) provided the reassuring update that the company remains operational. #editorial🔥
Here's the Spanish translation of the provided text: If you are looking to grow your law firm in 2024, digital marketing is non-negotiable. The era of relying on referrals and print ads is fast disappearing. Digital marketing for law firms has quickly become the new standard for reaching out to the public
This camera features 100% mechanically operated titanium honeycomb shutter curtains that can consistently synchronize with flash speeds of up to 1/250s and can shoot at an impressive speed of 1/4,000s when necessary. The FM2 stands out as one of Nikon’s most enduring SLRs, with a production run lasting 19 years! This review explores the camera’s lineage and characteristics in detail.
Fujifilm 400 Speed Film is a recent product from a Japanese manufacturer produced in the USA. It serves as a substitute for their previously made-in-Japan Fujicolor Superia X-Tra, which at one time incorporated a fourth cyan-sensitive color layer to enhance tonality in mixed lighting—a technology well-known from their iconic Fujicolor Pro 400H emulsion. In this review, I will explore the film's background as well as its technical and visual characteristics. Additionally, I will compare and contrast it with Kodak Ultramax 400.
The luxury travel market is undergoing a significant transformation as discerning travelers seek more than just a vacation - they crave tailored experiences that meet their individual desires and aspirations. To connect with these high-end customers and drive bookings, luxury travel brands are leveraging [...]
In this review, I discuss my experience with shooting and processing this film using both the specialized Adotech CMS IV developer and the non-specialized Ilford DD-X. I also cover its technical specifications and present the outcomes of my effort to create a 400-megapixel scan, which is the highest resolution I can achieve with my existing hardware and software.
When processing black-and-white film, it may be necessary to determine the dilution ratios of concentrate to water. These ratios vary based on the volume of solution you intend to prepare.
Last week, I discussed the Analogue aF-1 (https://www.analog.cafe/comments/u725). Additionally, there is a new color film that has the potential to be the most affordable option, possibly taking over from Kodak ColorPlus: (https://www.analog.cafe/app/film-price-trends). This was announced last year (https://kosmofoto.com/2024/05/chinas-lucky-film-may-bring-back-colour-film-production-by-the-end-of-2024). Reflx Lab has also confirmed some positive updates: #editorial.